Skip to content
GLINT

Glint Literary Journal

Main navigation
  • Issue 13, Winter 2022
  • Masthead
  • Submission Guidelines
  • Archives

Issue 3, 2012

 

Eleonor Leonne Bennete, "Get Back Better On"
Eleonor Leonne Bennett, “Get Back Better On”

 

INTRODUCTION

POETRY

FICTION

CREATIVE NONFICTION

VISUAL ART

REVIEWS

CONTRIBUTORS’ BIOS

 

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

iThere are no comments

Add yours

Leave a Reply Cancel reply

Fill in your details below or click an icon to log in:

Gravatar
WordPress.com Logo

You are commenting using your WordPress.com account. ( Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. ( Log Out /  Change )

Cancel

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Blog at WordPress.com.
  • Home
  • A.J. Urquidi
  • Aaron Sandberg
  • Abby Caplin
  • About
  • AJ Strosahl
  • Alafia Nicole Sessions
  • Alan Soldofsky
  • Alexa Jane Wolff
  • Alexandra Persad
  • Alexis Quinlan
  • ali lanzetta
  • Alison Thompson
  • Alle C. Hall
  • Allen Forrest
  • Althea Christina Hughes
  • Alyse Knorr’s Mega-City Redux, Reviewed by Jennifer Martelli
  • Amy Rose Lipsky
  • Andy Stallings
  • Ann Michael
  • Anthony Green
  • Anthony J. Mohr
  • Archives
  • Archives
  • Ava Hoffmann
  • Balli Kaur Jaswal’s The Unlikely Adventures of the Shergill Sisters, Reviewed by Heather Bass
  • Barbara Crooker
  • Bill Burtis
  • Bill Wolak
  • Bo Niles
  • Brandon Knight
  • Brenda Mann Hammack’s Review of Leila Chatti’s Deluge
  • Brittany Crosby
  • Brynn Saito’s Power Made Us Swoon, Reviewed by Jennifer Martelli
  • C. John Graham
  • Carlos Franco-Ruiz
  • Carol Graser
  • Caroljean Gavin
  • Carolyn Adams
  • Cathy Allman
  • Celeste Hamilton Dennis
  • Celia Meade
  • Charles March
  • Charlotte Mandel
  • Cheryl Gross
  • Cheryl Gross and Marta Wapiennik
  • Chris Brauer
  • Christine Williams
  • Christopher Woods
  • Cindy Rinne
  • Claire Keyes
  • Claire Marie Stancek
  • Clio Contogenis
  • Connie Post
  • Contributors’ Bios
  • Contributors’ Bios
  • Contributors’ Bios
  • Contributors’ Bios
  • Contributors’ Bios
  • Contributors’ Bios
  • Contributors’ Bios
  • Cory Robertson
  • Creative Nonfiction
  • Creative Nonfiction
  • Creative Nonfiction
  • Creative Nonfiction
  • Creative Nonfiction
  • Creative Nonfiction
  • Cynthia C. Scott
  • Cynthia CL Roderick
  • Daniel Moore
  • Daniel Riddle Rodriguez
  • Danielle Susi
  • David Dodd Lee
  • David Kirby
  • David Larsen
  • Dean Swinford’s Death Metal Epic I: The Inverted Katabasis and Death Metal Epic II: Goat Song Sacrifice, Reviewed by Heather Bass
  • Derek Berry
  • Dianalee Velie
  • Diane DeCillis
  • Diego Luis
  • Diego Luis
  • Domenic J. Scopa
  • Doris Ferleger
  • Dorsía Smith Silva
  • Douglas Collura
  • DS Maolalai
  • Elinora Westfall
  • Elinora Westfall
  • Emily Dhatt
  • Evalyn Lee
  • Eve Krakow
  • Fariel Shafee
  • Fiction
  • Fiction
  • Fiction
  • Fiction
  • Fiction
  • Fiction
  • Fiction
  • Fiction
  • Finley MacDonald
  • Frank Jamison
  • Fred Dale
  • Gabrielle LaNae Randall
  • Genelle Chaconas
  • Giavanna Munafo
  • Glint 11 Masthead
  • Gustavo Adolfo Aybar
  • Hamad Al-Rayes
  • Hannah Tinti’s The Twelve Lives of Samuel Hawley, Reviewed by Stefanie Painter
  • Heather Bass’ Review of Geling Yan’s The Secret Talker
  • Heather Bass’ Review of Sarah J. Harris’ The Color of Bee Larkham’s Murder
  • Heather Bass’ Review of T.C. Boyle’s Talk to Me
  • Heather Bass’Review of Amber Sparks’ And I Do Not Forgive You: Stories and Other Revenges
  • Heather Bass’s Review of Kevin Wilson’s Tunneling to the Center of the Earth
  • Heather Bass’s Review of Molly Harper’s Ain’t She a Peach
  • Heikki Huotari
  • Helena Lipstadt
  • Henri Bensussen
  • Howie Good
  • Howie Good
  • Hybrid
  • Hybrid
  • Hybrid
  • Hybrid
  • Hybrid Genre
  • Hybrid Genre
  • Hybrid Genre
  • Hybrid Genre
  • Iliria Osum
  • Interview and Reviews
  • Interview with Jenn Givhan by Brenda Mann Hammack and Lynzee Alarcon
  • Introduction
  • Introduction
  • Introduction
  • Introduction
  • Introduction
  • Introduction
  • Introduction
  • Introduction
  • Iris Jamahl Dunkle
  • Iris Jamahl Dunkle
  • Issue 10, Winter 2019
  • Issue 12, Winter 2021
  • Issue 13, Winter 2022
  • Issue 7, Fall 2016
  • Issue 8, Winter 2017
  • Issue 9, Winter 2018
  • Iyana Sky
  • J Brooke’s Review of Melissa Febos’ Girlhood (audiobook)
  • J.I. Kleinberg
  • J.R. Forman
  • J.T. Caldwell
  • Jacob Butlett
  • Jacqueline Henry
  • Jade Hancer
  • Jae Johnson
  • James N. Pratley
  • James Owens
  • James Valvis
  • Jamie Wilson
  • Jan B. Parker
  • Jason W. McGlone
  • Jean Wolff
  • Jean Wolff
  • Jeanne Shannon
  • Jeanne Shannon
  • Jennifer Lothrigel
  • Jennifer MacBain-Stephens
  • Jennifer McMahon’s The Invited: a Novel, Reviewed by Heather Bass
  • Jennifer Sara Page
  • Jesse Rice-Evans
  • Jessica Goodfellow
  • Jessica Mehta
  • Jessie Janeshek
  • Jevin Lee Albuquerque
  • Jia Oak Baker’s Well Enough Said, Reviewed by Stacey Balkun
  • Jim Zola
  • Jim Ross
  • Joan Colby
  • John Amen
  • John Hicks
  • John LaPine
  • John LaPine
  • John McKernan
  • John Vurro
  • Jonah Smith-Bartlett
  • Joshua Lovett
  • Juan Mobili
  • Juan Pablo Mobili
  • Judith Roney
  • Julia Rose Lewis
  • Julia Schwartz
  • Julian Randall
  • Kai Schweizer
  • Kanami Ayau
  • Kara Dorris
  • Karen Fayeth
  • Karen Zey
  • Karima Alavi
  • Kat Meads
  • Katherine Fallon
  • Katrina Keegan
  • Kay Sobjack
  • Keith Moul
  • Kelly DuMar
  • Kelly Link’s Get in Trouble, Reviewed by Patrick Morris
  • Kelsey Dean
  • Kelsey Dean
  • Kika Dorsey
  • Kryssa Schemmerling
  • Laine Perez
  • Lana Bella
  • Larkin Higgins
  • Larkin Higgins
  • Laura Stout
  • Laurinda Lind
  • Leah Mueller
  • Leanne Betasamosake Simpson’s This Accident of Being Lost, Reviewed by Sonya C. Brown
  • Leila Lois’ Review of Rebecca Birrell’s This Dark Country: Women Artists, Still Life and Intimacy in the Early Twentieth Century
  • Leisha Douglas
  • Lesley Finn
  • Lesley Valdes
  • Leslie Ann Minot
  • Leslie Ferguson’s Review of d. ellis phelps’ what she holds 
  • Leslie Philibert
  • Lois Roma-Deeley
  • Lois Ruskai Melina
  • Lowell Jaeger
  • Lydie Raschka
  • M. Brett Gaffney
  • M. Brett Gaffney
  • M.M. Adjarian
  • Madelon Y. Bolling
  • Mahalia Cooks’ Review of Janis Thomas’ All That’s Left of Me
  • Mahvesh Murad and Jared Shurin’s The Djinn Fall in Love & Other Stories, Reviewed by Sonya C. Brown
  • Marc S. Cohen
  • Marc Tretin
  • Margaret Erhart
  • Marie Davis-Williams
  • Mariya Taher Glint 8 Fiction
  • Marjorie Maddox
  • Marjorie Maddox and Anna Lee Hafer
  • Mark Wyatt
  • Marty Carlock
  • Mary Cisper
  • Mary Cresswell
  • Mary Davini
  • Masthead
  • Masthead
  • Matthew Harrison
  • Megan Wildhood
  • Meghan Adler
  • Melanie Chartoff
  • Memoir
  • Micaela Walley
  • Michael Ansara
  • Michael Brownstein
  • Michael Brownstein
  • Michael Garriga
  • Michael Pulley
  • Michael Reid Busk
  • Michele Battiste
  • Michelle Brooks Archives visual art issue 8
  • Michelle Disler “Goldi and The Locks Plus One”
  • Mircea Cărtărescu
  • Monica Kim
  • Nancy Ford Dugan
  • Natalie King
  • Nate Maxson
  • Nate Maxson
  • Nicolette Reim
  • P.S. Nolf
  • Patricia Brody
  • Patricia Brody
  • Patricia Meek
  • Patricia Valdata
  • Paul David Adkins
  • Peter Barlow
  • Peter Leight
  • Peter Obourn
  • Phyllis Carol Agins
  • Poetry
  • Poetry
  • Poetry
  • Poetry
  • Poetry
  • Poetry
  • Poetry
  • Poetry
  • R.I. Miller
  • Rachel Laverdiere
  • Rachel Tramonte
  • Rebecca Beck
  • Rebecca Patrascu
  • Remi Seamon
  • Reviews
  • Reviews
  • Reviews
  • Reviews
  • Reviews
  • Reviews
  • Ricardo Moran
  • Rich Ives
  • Rick Rohdenburg
  • Rob Granader
  • Robert Beveridge
  • Robert Wexelblatt
  • Robert Wexelblatt
  • Rochelle Jewel Shapiro
  • Rose Maria Woodson
  • Rose McLarney’s Forage Reviewed by Brenda Mann Hammack
  • Russ Doherty
  • Ryan Clark
  • Ryan Clinesmith
  • Sam Ambler
  • Sam Leuenberger
  • Sarah Johnson
  • Sarah K. Stephens
  • Sarah Katharina Kayß
  • Sarah Leslie
  • Saramanda Swigart
  • Sean Winn
  • Shirley Sullivan
  • Sonia Arora
  • Sonya C. Brown’s Review of Angela Narciso Torres’ What Happens Is Neither
  • Sonya C. Brown’s Review of Jeffrey Thomson’s The Museum of Objects Burned by the Souls in Purgatory
  • Stacey Mann
  • Stephanie JT Russell
  • Stephanie JT Russell
  • Stephanie Sauer
  • Stephen Cramer
  • Stephen Massimilla
  • Submission Guidelines
  • Submission Guidelines
  • Submissions
  • Suellen Wedmore
  • Susan Eve Haar
  • Susan H. Evans
  • Susan Yount
  • Susan Yount “Table Arrangement”
  • Suzanne Frischkorn
  • Suzanne O’Connell
  • Tamizh Ponni
  • Ted Mc Carthy
  • Tricia Knoll
  • Tricia Knoll
  • Tricia Knoll
  • Tricia Knoll
  • Tricia Knoll
  • Vanni Thach
  • Victor Basta
  • Victor Gabriel Sanchez “Teddy Bear”
  • Victoria Fedden’s This Is Not My Beautiful Life, Reviewed by Jane Andrews
  • Visual Art
  • Visual Art
  • Visual Art
  • Visual Art
  • Visual Art
  • Visual Art
  • Visual Art
  • Visual Art
  • Vivian Lawry
  • Wang Ping
  • Wendy Taylor Carlisle
  • Will Cordeiro
  • William C. Crawford
  • Yuan Changming
  • Zinat Lalani
  • Hilary Clark
  • Introduction
  • Loose Strife by Quan Barry, Reviewed by Elizabeth Bodien
  • Maureen Alsop
  • Issue 11, Winter 2020
  • Paulin Reyes
  • Poetry
    • Michele Tracy Berger
    • Joan Colby
    • Wendy Gist
    • Jennifer Givhan
    • Mary Ann Honaker
    • Rich Ives
    • Carlo Matos
    • Sarah Page
    • Jeanne Shannon
    • Pia Taavila-Borsheim
  • Poetry
    • Samir Atassi
    • Kimberly L. Becker
    • Denise Bickford
    • Jennifer Burd
    • Joan Colby
    • Kelsey Dean
    • Nick DePascal
    • Colin Dodds
    • Kika Dorsey
    • Kevin Dublin
    • Trina Gaynon
    • Richard King Perkins II
  • Ryder Collins
  • This Life Now by Michael Broder, Reviewed by Thom Goins
  • Alicia Elkort
  • Fred D. White
  • Hybrid Genre
  • Kara Mae Brown
  • Someone Else’s Wedding Vows by Bianca Stone, Reviewed by Jennifer Martelli
  • Submissions
  • Nandini Dhar
  • Issue 5, 2014
    • Fiction
      • Galen R. Faison
      • Scott Archer Jones
      • S.K. Kalsi
      • Joseph Masser
      • Elson Meehan
      • James Naiden
    • Creative Nonfiction
      • Jevin Lee Albuquerque
      • Jane Andrews
    • Visual Art
      • Kelsey Dean
      • Ira Joel Haber
      • Stephanie Klein-Davis
      • Eric Longley
      • Victor Gabriel Sanchez
      • Brett Stout
      • Taylor Venable
      • Jeffrey Weatherford
    • Contest
      • Poetry: Aaliyah Sams
      • Fiction: Ronald Bell
      • Creative Nonfiction: Alesia Gittins
      • Visual Art: Taylor Venable
    • Reviews
      • Siblings by Suzanne Burns, Reviewed by Jennifer Givhan
      • Jamaal May’s Hum, Reviewed by Brenda Mann Hammack
      • Adrian Matejka’s The Big Smoke, Reviewed by Brenda Mann Hammack
      • Jericho Brown’s The New Testament, Reviewed by Brenda Mann Hammack
      • Ann Brashare’s The Here and Now, Reviewed by Deborah Maness
      • Violet Kupersmith’s The Frangipani Hotel: Stories, Reviewed by Deborah Maness
      • Daniel Alarcón’s At Night We Walk in Circles, Reviewed by Ashley Santos
      • Austen Adaptations by Teri Wilson and Lelia M. Silver, Reviewed by Jamie Wilson
      • Austen Biographies by Paula Byrne and Maggie Lane, reviewed by Faye Stall
    • Contributors’ Bios
  • Mitchell Krockmalnik Grabois
  • Morgan Downie
  • Suvi Mahonen
  • Brenda Peynado
  • Nicholas Grider
  • Brenda Peynado
  • D. E. Kern
  • Reviews
    • In the Circus of You by Nicelle Davis and Cheryl Gross, Reviewed by Carlo Matos
    • Ruby by Cynthia Bond, Reviewed by Bree Barton
    • Einstein’s Beach House by Jacob M. Appel and Twelve Women in a Country Called America by Kelly Cherry, Reviewed by Sonya C. Brown
    • Under the Udala Trees by Chinelo Okparanta, Reviewed by Sonya C. Brown
  • Arlene Neal
  • Carol Dorf
  • Naima Yael Woods
  • D.E. Kern
  • Kim Peter Kovac
  • M.L. Lyons
  • Julie Poitras Santos
  • Nic Sebastian
  • Amie Sharp
  • Kelly DuMar
  • Chrystal Berche
  • Nena Callaghan
  • Allen Forrest
  • Keith Moul
  • Michael Romagano
  • Susan Yount
  • Eleanor Leonne Bennett
  • Ivan de Monbrison
  • Introduction
  • Poetry
  • Fiction
  • Creative Nonfiction
  • Visual Art
  • Reviews
  • Contest
  • Judges’ Bios
  • Contributors’ Bios
  • Introduction
  • Poetry
  • Fiction
  • Creative Nonfiction
  • Visual Art
  • Reviews
  • Contributors’ Bios
  • Introduction
  • Poetry
  • Fiction
  • Creative Nonfiction
  • Visual Art
  • Reviews
  • Contributors’ Bios
  • Issue 1, 2010
  • Issue 2, 2011
  • Issue 3, 2012
  • Issue 4, 2013
  • Issue 5, 2014
  • Issue 6, Fall 2015
  • Raechel Alexis Gasparac
  • Clarissa Jakobsons
  • Nyxaboneflowers
  • Victor Gabriel Sanchez
  • Rebecca Brown
  • Jim Fuess
  • Ernest Williamson III
  • Severin Allgood
  • Alyssa Nicole Aninag
  • Zak Kostro
  • Contributors’ Bios
Secondary navigation
  • Search

Begin typing your search above and press return to search. Press Esc to cancel.

    • Glint Literary Journal
    • Customize
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • Manage subscriptions
 

Loading Comments...
 

    %d bloggers like this: